Some probs with the site meant the blog has been delayed. Apologies for those of you hanging on my every word.
The sonnet finished in the meantime and this is the (for the moment) final version. I decided on leaflike for the vaulting - because it is, and 'restrained' in line 8 because they are - both by their frames and their position. I think the change to line 10 is the only other alteration.
The steps which lead you to and from the quad,
Beneath quaint leaflike vaulting, Hogwarts style,
Will be the ones which greater feet have trod
While on their ponderous way through sceptred aisles
Where portraits of the great, time servers, plodders,
Men with many starts in life, old land, old names,
Men of learning, men of breeding, men of God
Hang in dark double rows, restrained, gilt-framed.
Great in their time, all male, all white, all dead,
Walls and Hall make a rather clunking end but they do rhyme and they fit what I want to say, so I won't try to find something more sophisticated. Oily portraits? Is that fair? I've thought through a number of other adjectives but none appeal quite as much.
While on their ponderous way through sceptred aisles
Where portraits of the great, time servers, plodders,
Men with many starts in life, old land, old names,
Men of learning, men of breeding, men of God
Hang in dark double rows, -- -- , gilt-framed
Quite pleased with men of God as my fourth 'od' rhyme because of course most of the teachers (or whatever their proper name is -dons?) were clergy until relatively recently. And gilt-framed might suggest guilt to some readers - for being so privileged perhaps? Just a tangential thought. Now I feel the final six lines are within my grasp!
While on their ponderous way through sceptred aisles
Where portraits of the great, time servers, plodders,
Men with many starts in life, old land, old names,
Men of learning, men of breeding, men of God
Hang in dark double rows, -- -- , gilt-framed
Quite pleased with men of God as my fourth 'od' rhyme because of course most of the teachers (or whatever their proper name is -dons?) were clergy until relatively recently. And gilt-framed might suggest guilt to some readers - for being so privileged perhaps? Just a tangential thought. Now I feel the final six lines are within my grasp!
Hall and wall are easy rhymes and some of the link between them comes to mind:
Dark coats ...................... academic gown
Great men in their time, all male all vanished
Leaving these oil imprints on the wall
To grace and entertain our bacon eggs and mushrooms
What after great coats? Medals? What are those things over their shoulders? Sashes. Oil imprints? What about oily imprints? Makes it sound slightly dirty as if leaving a muddy footprint. I quite like that idea.
I was recently invited to give a talk at a festival in Oxford and the organisers put me up in ChristChurchCollege, which was an
experience in itself. It was breakfast in the Great Hall which made the greatest impression. This blog is a bit different in that I've already written the completed poem but I did keep a record of how it came together so I think it may be of interest to some of you.
On this occasion, several rhymes came to me one after the other and fitted so aptly that I thought of a sonnet, as the form. Not an unuusal thought in my case.
The steps which lead you to the quad
May be the ones which greater feet have trod
Portraits of the great, time servers, plodders
Men with starts in life
The latter part was prompted by the great portraits which hang in the Hall, overlooking the breafasting hordes.
'Frown' and 'gown' appeared in my mind and then I was hooked...